More often than not, the inclusion of women in an action film is shaped by the male gaze, the tropes, the stereotypical backstory and/or the unnecessary physique-revealing scenes connected to it.
“That’s a pet peeve of mine,” director Len Wiseman tells Sky News in an interview for his new John Wick spin-off starring Ana de Armas.
“I think a lot of times you see it’s overly sexualized or there’s not a realism to it, and it is important to me that [this was] approached from a female [perspective] that can be labelled: ‘A woman is strong to begin with’. I think there can be some kind of pandering in certain ways that I think is too far.”
Wiseman started his career with the female-led action film franchise Underworld starring his former partner Kate Beckinsale before directing Die Hard 4.0, Total Recall and Sleepy Hollow.
From The World Of John Wick: Ballerina serves as a spin-off to the John Wick films and is set between the events of the third and fourth movies.
It follows a young trainee assassin who looks to be the next world-renowned assassin in the film universe.
“We never wanted to go as far as Eve looking like we were doing a female John Wick. Eve is Eve and is a woman… and it’s a woman in a man’s world,” says de Armas.
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“That phrase ‘fight like a girl’, we wanted that to come across as something really empowering and really pull from there. That is a motivation for her. That has been said before in a derogatory way or as something diminishing.”
Wiseman and de Armas both say that while they wanted Eve to be strong, they also wanted her to feel every moment of the battle. If there are choreographed fight scenes or flashy action moves, she feels them.
“I wanted her to struggle,” explains de Armas, detailing how she consistently asked for her to look more dishevelled as the film progresses.
“It didn’t come from a place of I need to prove myself, I don’t need to prove myself to anybody, but I wanted to do that from the moment we started talking about the script, we even brought on board a female writer, because it was important for me to have that.”
De Armas, similar to her soon-to-be co-star Tom Cruise, relished in undertaking the more difficult stunts and wore the bruises and marks from them like badges of honour.
The actress would even send photos of the markings the following day to Wiseman proudly as she jokes: “I just wanted to keep him posted, you know, on how my body was at the end of the day.”
The film was shot practically, with the explosions and countless action surprises for film fans happening on set repeatedly.
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When asked about her toughest stunt to execute, without hesitation, she mentions a scene which included prop grenades.
“All the debris and everything that was flying with those grenades were real, so most of the dust and the little things flying were getting in my eyes, and I just could not open my eyes during the scene. So in between takes, the medics were like just rinsing my eyes with some water.”
With a film set around changing the meaning of ‘fight like a girl’, de Armas says she has a clear definition of it now: “Be yourself and make people gravitate around you and your rules. You make your own rules.”
From The World Of John Wick: Ballerina is in cinemas now.
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